he blogosphere is where it's at you know. In every issue we recommend a recent PR-themed blog to check out and comment on. This week, Brendan Cooper with some tips for those of you landed with a major proof reading task. Possibly more aimed at you copywriters, though good advice for anyone involved in preparing, editing or proofing documents for your company or clients.
Proof reading is supposed to be a doddle. It’s just making sure everything’s tickety-boo and stamping it with your big red ‘Approved’ stamp. No?
Actually, no. Not really. Not when you’re proofing a 26,000 word document, like I just did today. It’s been a while since I did hard-core proofing and it reminded me that there are most definitely right ways to do it, and wrong ‘uns.
Just make sure everything’s tickety-boo and stamp it with your big red ‘Approved’ stamp, then skip away singing “Hello birds, hello trees, hello sky”.
As follows:
1. Agree beforehand on what needs doing. There is a gulf of difference between a copy edit – where you’re more likely than not going to have to disassemble some scrawl and turn it into beautiful filigree curlicued baroque English – and a proof edit. The gulf, in my case, is precisely 2,000 words per hour. That is, I can proof edit at 4K words an hour but copy edit at 2K. So if I get the requirement wrong to start with, I spend twice as long, or earn half as much, or annoy the client. They’re all bad outcomes.
2. Read the whole thing in one go. That’s right, even a 26K worder. OK, maybe allow yourself a Guinness or two (I did, but it was late last night), but make sure you’ve read it once before you even start to edit it. You get a flavour of the general tone of voice, where the voice changes (which it inevitably will if it’s multi-authored, or even if one person wrote it at different times or under the influence of different prescription drugs), potential problem areas, that sort of thing. Plus you get an idea of what the document’s actually about, which helps.
3. Leave it. Go and do something else instead. Play with your tortoise, for example.
4. Come back all refreshed and just get stuck in. You need to make decisions along the way but they’ll basically be along the lines of:
5. Handover from the old document to the new. After your first pass, save it under a new filename, accept all the revisions, and then read it alongside the original. In this way you get to see the revisions that didn’t quite go right – double spaces here, no spaces there etc – and can read two ‘clean’ versions next to each other. In this way you might even decide to reject some of your own changes in preference to the original.
6. Check the new document. Save it again under a different filename, accept all the revisions again, and read the new document on its own. Yes, that means you’ve now read it four times in total, but it’s necessary: overview, detail, handover, check. You need each one.
7. Make a note of the funnies. As you’re going along make a note of things you’re unclear of, or that the client needs to double-check. And make sure you tell the client to check the tables of contents, and page/figure/table references because copy edits sometimes muck up the pagination. It’s not your job to do this, but the client will love you for reminding him/her.
Oh, and use revision marks (obviously). If you haven’t, you can use Word’s ‘Compare’ feature. Good luck.
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Posted Tuesday February 2 2010